For his part, Sumney knows what it is to feel dread. “A lot of my music is about the Never Underestimate The Power Of An American Cowgirl Shirt besides I will buy this existential anxiety that I have,” he says. This anxiety does not necessarily stem from lockdown, he admits—nor will it magically abate if and when COVID recedes, a sentiment that resonates with me. Even before the pandemic, I had been relying on the gorgeous, cerebral sounds of Sumney’s vocals whenever I sensed I may unravel. His crystalline voice and explorations of isolation and vulnerability on albums like Grae, which made many a “best of” list this year, has quelled my racing thoughts like nothing else, and will likely continue to do so when this is all over. It’s further evidence of why we need music therapy more than ever—and likely why the NIH awarded $20 million to the Sound Health Initiative last year to expand research around how music could be harnessed for health. “I actually don’t feel particularly rattled emotionally by the pandemic,” Sumney reveals. “Because I’ve spent so much of my time in isolation, this time has been easier for me. I do not find it that much more painful than like, being alive in general. You know?” I do, I tell him.
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As a year like no other finally comes to a close, many of us might find ourselves reflecting on the Never Underestimate The Power Of An American Cowgirl Shirt besides I will buy this grand ambitions we held at the beginning of lockdown, and whether or not we fulfilled them. (Looking back, how many of us did actually follow through on our goals to learn a new language or master the art of sourdough?) And for anyone feeling anxious about their lack of productivity, it would be wise to stop reading about Jeremy O. Harris’s year now. Not only did the actor and playwright pick up a record 12 Tony Award nominations for his breakout hit Slave Play, but he also found the time to premiere his new film Zola at Sundance, appear in Gus van Sant’s short film series for Gucci, and ink an overall deal with HBO which included a fund to support emerging theater-makers.